James
Bentley, photographs by Hugh Palmer
Clustered around its parish church and green, or strung
out along a curving road, the English village often
seems the very embodiment of tranquility. Winding lanes,
thatched cottages, and red-brick Georgian houses bespeak
a way of life that has developed peacefully over centuries,
uninterrupted by war or invasion. Yet, the occasional
castle or fortified manor house bears testimony to a
more turbulent past, and it should not be forgotten
that the style of many village churches—Romanesque
or Norman—was originally borne across the English
Channel on the wave of conquest.
Each English village possesses its own distinct character,
formed by history, location, and, indeed, local building
materials. There is a world of difference between the
dark-stone villages of the north and the Pennines and
the thatched, half-timbered architecture of East Anglia
and southern communities. Village forms and layout differ
widely too. Eton, in Berkshire, is arranged along a
high street and centered on a famous college. The Dorset
village of Cerne Abbas is dominated by the figure of
a naked, priapic giant, carved into a hillside some
1,500 years ago. In Hawkshead, Cumbria, it is still
possible to visit the school attended by William Wordsworth;
in Mevagissey, Cornwall, the delights of a Cornish shipping
village remain virtually intact.
The richness and diversity of the English village
are celebrated here in absorbing commentary and magnificent
photography. Grouped by area and subdivided by county—northern,
midland, eastern, southern, and western—this volume
describes and illustrates the most beautiful villages
and that most beautiful of lands—"this earth,
this Realme"—this England. |
Christopher
Fitz-Simon, photographs by Hugh Palmer
Clusters of white cottages huddled in a fold between
hills of an unbelievably rich green . . . villages
of a single street, dazzling in their array of color
washes and picturesque shop and bar signs. . . . Such
are the villages of Ireland, the most beautiful of
which are captured in Palmer's photographs and Fitz-Simon's
commentaries.
Beautiful though many of the villages of Ireland
undoubtedly are, they are also working, living communities.
The vibrancy and warmth in a village bar or local shop
proclaim a culture not yet submerged under mass tourism
or the rash of vacation homes that have blighted so
many of Europe's prettiest villages and robbed them
of traditional ways.
Following the divisions of the ancient provinces — Ulster,
Leinster, Connacht, and Munster — the journey
is full of fascinating rural gems, some famous and
others less well known. There are the coastal villages
of Cork with their handsome houses of many hues sloping
down to a sea that so many Irish crossed to found other
communities in the United States. Roscommon and Galway
are proud of their medieval churches, while Ulster
villages look toward the Atlantic and seem to be girding
themselves against the rigors of the northern climate.
Literary and historical associations abound, as in
Ardagh, site of pre-Christian settlement and the place
where Oliver Goldsmith was inspired to write She Stoops
to Conquer.
This visual and verbal record of the Irish village
is completed by a guide to the most important sites,
markets, hotels, and restaurants. |