Moleskine is the notebook
used by European artists and
thinkers for the past two centuries,
from Van Gogh to Picasso, from
Ernest Hemingway to Bruce Chatwin.
This trusty, pocket-size travel
companion held sketches, notes,
stories and ideas before they
were turned into famous images
or the pages of beloved books.
Originally produced by small
French bookbinders who supplied
the Parisian stationery shops
frequented by the international
avant-garde, by the end of
the twentieth century, the
Moleskine notebook was no longer
available. In 1986, the last
manufacturer of Moleskine,
a family operation in Tours,
closed its shutters forever. “Le
vrai Moleskine n’est
plus” were the lapidary
words of the owner of the stationery
shop in Rue de l’Ancienne
Comédie where Chatwin
stocked up on the notebooks.
The English writer had ordered
a hundred of them before leaving
for Australia: he bought up
all the Moleskine that he could
find, but there were not enough.
In 1998, a small Milanese
publisher bought Moleskine
back again. As the self-effacing
keeper of an extraordinary
tradition, Moleskine once again
began to travel the globe.
To capture reality on the move,
pin down details, impress upon
paper unique aspects of experience:
Moleskine is a reservoir of
ideas and feelings, a battery
that stores discoveries and
perceptions, and whose energy
can be tapped over time.
The fabled black notebook
is once again being passed
from one pocket to the next;
with its various different
page styles it accompanies
the creative professions and
the imagination of our time.
The adventure of Moleskine
continues, and its still-blank
pages will tell the rest. |